From a true fact, eminently political, we discover an impulse for reflection on the exile experience, on the transforming identity and on resistance. The desert and the exile situation are treated as metaphors for the unavailability of the body within the space and the body in itself.
The dramaturgy is based on a play between the frontiers of theater and documentary, mixing the history of the Saharawi people, the experience of the actress together with fictional texts created in a collective way.
In 2021, Exilius became an audiovisual work, recorded with the support of the Aldir Blanc/2020 public funding, PROAC, State of São Paulo.